One moment, Mira was at the mall shopping with her little brother. The next instant, 95% of the world’s population vanished, along with sunlight, most of the animals, food, and stuff. What isn’t missing is in huge random piles. The survivors eke out a living by scavenging the Piles and banding together in haphazard communities.
Four years after the Rending, Mira spends her days scavenging for her community of Zion, hanging out with her best friend, Lana, and avoiding people she might come to love—she can’t bear to lose anyone else. Then Lana tells her she’s pregnant, the first pregnancy since the Rending. For the first time since everything changed, Mira feels hope.
But when Lana gives birth to an inanimate object—and so do other women in Zion—Mira’s world crumbles again. An outsider named Michael lures Lana away, and Mira must decide how much she’s willing to sacrifice to save her friend, her community, and her own pregnancy.
I’m not going to lie: this is an odd book. Dystopian, with no explanation for why the Rending occurred (so if you must have a “why,” you’re out of luck here). The world is both strangely familiar and oddly skewed, like everything is just a bit off-kilter. Mira and Lana—well, everyone—are hiding secrets from their before, secrets that they need to deal with before they can truly accept their now. The Babies are creepy—and weirdly fitting—and I was drawn into the story from the first page as Mira struggles to make sense of this new world while still trying to sort out just who she is. Despite the oddness, this is an enthralling book, with a vividly realized setting that’s just as intriguing as the characters.
Kaethe Schwehn is an award-winning writer of prose and poems. The Rending and the Nest is her new novel.
(Galley provided by Bloomsbury USA in exchange for an honest review.)